As a first exercise in futurism subject was assigned to develop a collage (photomontage) with image

As a first exercise in futurism subject was assigned to develop a collage (photomontage) with images of machinery on a cardboard support presentation L4 (11x17 "), which would then be reproduced by a painting size. All are photographs obtained in internet, mostly in resolutions 2ooo px approximately printed on bond paper 24 from cuts made previously using Photoshop CS2. We recommend new england using glue stick for these jobs and pay prints in a good paper (hopefully not simple bond20 new england as it is very smooth and dull), however it is not necessary to use very expensive resources. Furthermore, for cuts a knife or cutter and a cutting (Olfa) is used, the precision that allow and that thus not deformed the edge.
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Now if Picasso is the inventor of modern collage perhaps Kurt Schwitters who best distinguishes rea

Collage works by Mies, Gropius and Meyer, 1924. Continental image photo, Reuter and Schulte, Mies and modern living, Germany, Hatje Cantz, 2008, p.229 It is not easy to explain contemporary art without talking about the collage. And yet this concept has barely been used to define a near-process architecture.
The collage as we understand it today, was invented by Picasso in early 1912. It addresses a number of buildings by means of fragile planning center and unusual materials: wire, cardboard, metal, paper, sand, rope, pieces of wood, tin, nails and even wrap packages snuff ... From that moment, the proliferation of this technique was extended to all creative fields. The art began to disfigure their limits and became hazy disciplinary boundaries. With collage, planning center what was painting and sculpture why ?.
The collage was working with an entirely new material: tackle, leftovers, waste, ie all discarded. Even demanded an author with new features and a different willingness to work. The bricoleur, - q ue is the author of these tasks to Levi-Strauss - no longer paints, ie does not use the oily pigment on a surface, it uses glue to hold together their "pictures". So the mind of the artist is forced to experiment with ways of working that are at another level the creative act.
Now if Picasso is the inventor of modern collage perhaps Kurt Schwitters who best distinguishes real leap of collage to contemporary architecture. The great invention is the Merz Schwitters. His most important and ambitious project was the Merzbau. In the study of his home in Hannover, from a column made of fragments planning center established a collage constantly expanding. From the spread, the book grew out of the studio coming to invade other rooms of the house. A collage became completely atypical because each include new elements required the reorganization of others, and made it a mechanical, active, perpetually incomplete mechanism. A veritable flood of traveling objects, which amounted to the nature of law inner necessity. The Merzbau participated in an ambiguous dynamic between sculpture and architecture especially interesting.
Schwitters's work allows us to distinguish two distinct stages in the collage, which can be called from colecionismo and recycling. The instant collector, is paradigmatic of Marcel Duchamp readymade. "The ready made, (...) is the limiting case -for elemental - the machine. It is the only piece machine, collage of himself ".
The rearrangement of the collected objects culminates in recycling. As touched by a benign spirit, a new air is given and spend, planning center if objects no longer in use, waste, to enjoy a wonderful new life.
The tension between a collection, always incomplete, and reuse of its objects, springs whole architecture collage. From this approach it is possible planning center to understand planning center both what the spirit of postmodernism with its play of quotations planning center and references, as the work of Rem Koolhaas, Lubetkin, Aalto or Le Corbusier.
Once put the focus on a way to make it work in the world of post-production of objects planning center and forms rather than the eager new production, it is difficult to set aside a strategy like the collage. Strategy impure planning center par excellence, but terribly optimistic. Perhaps the only way is an old world to say something new.
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Does the machine or not? I think the machine prototype 2 works to some extent. I see the machine as

Whereas Latin American, identity and treating define this heterogeneous group of people, it is sometimes difficult to see that is not only a discourse between 'them' and 'us' or a discourse of 'Other', but within prototype 2 the Women - Creole / Indian prototype 2 / mixed / hybrid, there is also another group of otherness community. They have been negligent in looking toward Latin America and the Caribbean. The authors themselves who supposedly represent everything that is Latin American, most are men who try to express what their country and culture, but at the same time, it takes an essential part in reflection to its self. We talked about subjects in transit, brokers, foreign, and cultural crossroads something that women are also involved, as are couples of man-hero, even more for them because prototype 2 they have voices most of the time. Clearly the struggle to identify in a patriarchal world is presented. In this course we studied the crossroads of cultures, Latin America and Asia, indigenous and conquerors, Latin America and Europe etc. So in that way there is a crossroads in women? Do they belong to a culture too? These ideas and questions seem like obstacles. If I see women as a group having their own speech with symbols belonging to their own way of seeing the world, different from the male world, I believe that present problems. The controversy would give a complexity between male-female, ie speech, prototype 2 I'm giving a speech of others and participating in the way of seeing the world with objects and subjects - the subjugation of one group and giving importance to another? In considering women as their own culture, I think of origin prototype 2 can look their reproductive organs - she will be physically different. From this comes a new way of seeing the world, have their own symbols and language - I do not mean that just because you have the ability to have children see everything differently, but in their reproductive ability will see different things that will cause a change in point of view. This, in itself, mean that there are different gender, sexual orientation, age etc. they will have different points of knowledge and experience obtained symbols being.
There is a novel, truth, inspired me to think of a new pinion which introduces the idea of women as important to be in the rotation of the machine - Women inhabited by Gioconda Belli. Being a novel that is divided into two narratives that are interpolated between each other. Start with the narrative of an indigenous woman (Itza) during prototype 2 the time of the conquest, and continues the narrative of a modern woman (Lavinia) during the Somoza dictatorship in Nicaragua. The novel succeeds in giving two perspectives of women fighting in patriarchal society, which are to be joined into one character at the end of the narrative - a crossroads of time and space. They, although they have high temporal and spatial difference, prototype 2 have a correspondence through these impediments. Another book to suggest in this pinion that would treat on women and migration serious Women's Tales from the New Mexico WPA: La Diabla Foot edited by Tey Diana Rebolledo, Maria Teresa Marquez.
Does the machine or not? I think the machine prototype 2 works to some extent. I see the machine as a series of gears which one can add and add infinitely, then there is a need for some life - something a natural bit (I guess you might call artificial life). I would like to see this issue of identity, of what is or is not the culture defined by Latin American literature, prototype 2 which includes and what it will include, this is something prototype 2 I see as something natural, something that has existed and still exists prototype 2 behind the heterogeneous literature, complexity of the complex intersections needs a new system. I think that to better understand the crossroads that we have seen and we can see, and to this extent and we thought that might be included are as passages that open to each pinion, or closed to open a new one with the influence of other gears, always leaving to passage to a life force-crossroads happens and joins or not otrasen the way. Why life? I say life in the way that the authors in their works that blend cultures that give life to new sprocket.
The idea of this organic labyrinth inside the machine vision would open the door to the vast possibilities that appear on trying to see or nominate quantities of cultures within the Latin American literature. Given story before prototype 2 the game between the Indians and the Spaniards, he had meetings and crossroads between the Indians themselves. We could go deeper and deeper through the maze and get lost in our quest for the cultural identity of Latin America.
As is the m

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Nonlinear Experimenting with new nonlinear narrative forms narratives began to take place significa

Used or Wonderful Blog Archive Towards New Aesthetic
Nonlinear Experimenting with new nonlinear narrative forms narratives began to take place significantly since the early twentieth century, from literature, experimental film and photographic encore works that used the collage and montage. The nature of the network would provide a more optimal encore platform for nonlinear who experiences [...]
Experimenting with new nonlinear narrative forms began to take place significantly since the early twentieth century, from literature, experimental film and photographic works that used the collage and montage. The nature of the network would provide encore a more optimal for nonlinear experiences which could lead directly to users / viewers platform.
Olia Lialina work shows how not only the concept of person or character can be changed, but also the narratives that give meaning to information. In its paradigmatic work "My Boy Come Back frome the War", started in 1996, documented on their web www.teleportacia.com until 2007 began with the first version supported by hypertext narrative associations allowed to create different routes for a story chosen depending on different frames. The project becomes ironic and playful to find versions of other years made by contributors. [1] Thus we find a Versioned 2005 where the corresponding link will take you to a catalog of shirts where you can read the text that names the art project, or another encore link in the same year, where the Chilean encore artist Ignacio Nieto takes a tribute to the soldiers of the town of Antuco, who died as a result of the negligence of the Chilean Navy. "When I started, I thought I was going to do web-stories, net-films encore and games, but unexpectedly I found involved in the process of net.art. I had to concoct intrigues, provocations and falsifications, encore in a word: History encore instead of tales "[2], tell Olia Lialina.
Identity and narrative alterations are found in the work of the Spanish artist Dora García. The possibility of fiction is also articulated in such works as The Kingdom "," Forever "," Heartbeaters "," Prayers "or" All stories "[3], in which the possibilities of hypertext encore are used by the artist to generate dispersed and expanded speeches that are made plausible to be understood as a parody of media stories already enshrined in the media and public space.
During the twentieth century begin to deploy other implications between technology and women. Anne Balsamo in his book "Technology encore of the Gendered body: Cyber Reading Women" [4] describes the contemporary cultural situation in which they are attached the body and technology in a literal sense, where machines take body functions and body Redesigned substantially by applying newly developed technologies. Balsamo puts cosmetic surgery, for example, in terms of new display technologies. encore Although encore technology allows us to rebuild and reconfigure the body and its spatial locality, old cultural patterns prevail: cosmetic surgery allows women to conform to the standards of feminine beauty encore where women are harassed in cyberspace or hiperbolizadas (advertising, pornography , video games). However, Balsamo tries to recover utopia about cosmetic surgery "a different way of seeing this technology might be to take seriously the idea of cosmetic encore surgery as 'surgery fashion' ... those who choose cosmetic surgery could be using their bodies as a vehicle for staging cultural identities "[5]. And also as a way to modify the stories about bodies are set through new communication systems to be offered through the media "It seems that virtual reality technologies are involved in the production of a given set of cultural narratives that reproduce the dominant power relations. Perhaps a better encore approach to assess encore the significance of these new technologies and, more importantly, the use of these technologies is to see the possibility of altering the patterns of domination from the social and cultural forces "[6]. encore Balsamo, therefore, repositions the female body from passivity to an assemblage of active interpretation. She shows how the analysis focused on the female can release the female body limits in relation to and in new technologies. From a similar position, encore Beatriz Preciado, understanding the body in its dimension bio-pol

Now we suggest you give it a certain sense of things that you hit, how represent thought in your he

Take a table or board, and search for items or pieces of things you can find in the trash house. First the background painted with colors varying as you want, to cover the whole card. Then draw a profile with tempera paint and brush, with wax stick or a thick marker, white or any color that stands out much of the background, and make the mouth red. This drawing has to be clearly visible. Then center yourself in your head: you'll find things that allude to the functioning of the brain, as if it were a machine that thinks and feels. Note that you have to draw big head, to put inside the skull several ac3 things.
Now we suggest you give it a certain sense of things that you hit, how represent thought in your head that you have drawn? Try like a machine with gears. Looking round things: coins, paper cutting, an old coaster, an old CD, a piece of cloth or paper, ac3 an old ballpoint pen refill, plastic, ac3 staples, paper clips and pushpins about. Besides thinking in the brain are the emotions: looking for a flower or a leaf, photos of people, landscapes and animals, cards, a pen, a chain, a piece of wire, another of sandpaper, some soil. Go sticking things inside the area corresponding to the skull, like parts of a machine in motion. P wadis stapling, but mostly going to stick. When you think you've put everything that has happened to you, you can give some hints above objects, to integrate over the picture ac3 and background. Always works horizontally and let dry well.
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Currently we are in the situation to achieve q understand this subject has us all with much attention paid to the. Digital technology and its relationship to art, and therefore its support more widespread, Internet. This has generated two positions: the first is against that says that man is totally dependent on the machine and for subordinating other media without question, being in this way both fully extremists. But one can speak of a third intermediate position, interior ie accepting criticism of the media, with this dynamic and innovative way, the opposite interior of the first two positions that are static and inert.
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2008 (15) December (1) October (8) September (6) only faces? Curious art historical Brief introduction to digital art recommendations DIGITAL ART Machine does not make art.
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